¿Que tendrá el dibujo de Alan Davis que tanto me gusta?
Recientemente y tras muchas vicisitudes, por fin llegó a mi domicilio la página que mas abajo les muestro. Que decir, ha tardado un mes en llegar, el envío estuvo parado casi quince días en la aduana americana, después fue parado en nuestra aduana para que nuestros queridos amigos de Speed Trans hagan su particular agosto (y eso que el paquete estaba marcado como regalo, pero como los colegas vean algo de valor asegurado… ZAS!), total cuarenta y ocho dólares de envío para que en lugar de de cuatro tarde casi cuarenta días el paquetito de marras.
La página en cuestión pertenece al Cross-Over X-Men Clandestine, que a mi entender fue el engaño de Marvel para que Davis diera un “continuará” digno a sus personajes, eliminando de una forma simple la trama de los últimos números de la primera serie limitada que no fueron creados por Davis con el ahora socorrido “he tenido un sueño la mar de raro” (si señores, Davis lo hizo antes que Los Serrano o Lost), y así conseguir lo que siempre habían deseado, que no era mas que el tratar de integrar a la familia Destine dentro de la corriente Marvel, arruinando lo que debiera haber sido una de sus mejores series fuera de la continuidad (eran los noventa, sig…) . Y no es por que no debieran estar dentro del universo Marvel, los mellizos necesitan héroes en los que inspirarse, la familia necesita villanos de los que esconderse, simplemente no pueden ser unos héroes públicos (y dado el título de la serie parece mentira que los señores de Marvel no lo comprendieran). En las dos páginas de Clandestine que poseo se nota el especial mimo con el que Davis trata a sus personajes y si bien el entintado de Farmer no es tan fino en esta como en la de Marvel Comics Presents, el detalle sigue siendo brutal, da gusto conseguir páginas de este tipo, de cuando dos autores estaban en su punto álgido creativo y con la familia Destine casi al completo :)
viernes, 22 de octubre de 2010
miércoles, 29 de septiembre de 2010
miércoles, 28 de julio de 2010
Un Frazetta por 1500000$
Via Collectors Society
Por lo visto durante la pasada Comic-Con de San Diego lo que queda de la familia Frazetta ha vendido la anterior pintura a un coleccionista privado y viendo lo que se paga por otras piezas "menores", esta pintura tan icónica bien lo vale.
If I were a rich man, Daidle deedle daidle deedle daidle dum...
Por lo visto durante la pasada Comic-Con de San Diego lo que queda de la familia Frazetta ha vendido la anterior pintura a un coleccionista privado y viendo lo que se paga por otras piezas "menores", esta pintura tan icónica bien lo vale.
If I were a rich man, Daidle deedle daidle deedle daidle dum...
Etiquetas:
Coleccionismo,
Originales,
Salones
miércoles, 14 de julio de 2010
miércoles, 30 de junio de 2010
Prepedidos
Ya está a la venta el primer libro de Ilustración creado por Adam Huges, recogiendo su larga trayectoria como portadista para DC comics, con suerte en unos días tendré mi copia por casa. ¿O quizás debería decir cópias?
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Este es el problema de los precedidos y la memoria de pez…
Como curiosidad indicar que Adam cambió la portada del libro para que nuestra ladrona gatuna favorita fuera interpretada por Audrey Hepburn.
Etiquetas:
Coleccionismo,
Varios comic
martes, 15 de junio de 2010
Muerte de un currante
Al Williamson 1931-2010
De Cori Williamson:
"Al Williamson, who for over fifty years drew for both comic books and comic strips, died June 12, 2010, at age 79. In recent years he suffered from Alzheimer's disease. He is survived by his wife of thirty-two years, Cori, his daughter Valerie and his son Victor.
"Williamson was born in New York City in 1931, but spent his first thirteen years primarily in Bogotį, Colombia. In 1941, his mother took him to see the science fantasy movie serial Flash Gordon Conquers the Universe, an experience which, combined with his love for comics storytelling, set his career course at an early age.
"Williamson, who first and foremost considered himself a cartoonist, excelled at illustrative science fiction, adventure and western stories, pulling inspiration from both classic comic strips and motion pictures. He is highly regarded both popularly and critically for his excellent draftsmanship and dynamic storytelling. Most notably, Williamson was extraordinarily accomplished at rendering the human figure in motion. His classically proportioned characters twist and leap with a startlingly vivid illusion of movement in part evolved from his study of motion picture action choreography.
"Williamson began his professional career in 1948 and achieved popular recognition in the early 1950s as the youngest and one of the most talented contributors to the legendary EC line of comics. Beyond EC, Williamson drew superior work for many comic publishers, including American Comics Group, Atlas/Marvel, Charlton, Classics Illustrated, Dark Horse, Dell, Harvey, King, Prize, Toby and Warren. From 1967 until 1980 he produced the art for the King Features Syndicate's daily Secret Agent Corrigan newspaper strip, and from 1981 to 1984 drew the daily and Sunday Star Wars newspaper strip.
"Beginning in the 1980s Williamson reintroduced himself to a new generation of comics readers as an inker for DC and then Marvel Comics, enjoying memorable stints finishing the work of other artists on Superman, Daredevil and Spidergirl.
"The single comics character, however, with whom Williamson is most identified would be Flash Gordon. The science fiction adventurer, created in 1932 by Alex Raymond for King Features, engaged the lifelong imagination of Williamson. He produced a much beloved series of stories for King Comics' Flash Gordon comic book in the 1960s. He returned to the character in 1980, drawing a comics adaptation of the contemporary Flash Gordon motion picture. In the 1990s, he produced a Flash Gordon mini-series for Marvel Comics and later contributing to the original Sunday strip. In addition to the stories, he produced countless other Flash Gordon images for uses in advertising, merchandising and the fan press.
"He gradually retired from the professional ranks in the early years of the new century as one of comics' most admired and influential creators. Over his career he received numerous professional awards, including multiple Harvey and Eisner Awards and the National Cartoonists Society's 1967 Award for Best Comic Book Cartoonist.
"Beyond his remarkable accomplishments as an artist—the works mentioned above represent only a sampling—Williamson deserves recognition as a veteran who often opened professional doors for many others starting their careers. An impressive number of comics contributors owe at least part of their success to Williamson's willingness to recommend and promote new artists and writers to his editorial contacts.
"Williamson was also an avid collector of comics and illustration art, valuing the beauty of original drawings produced for comic books and strips long before the physical art created by commercial artists was popularly appreciated. He will be fondly remembered by those you knew him for his generosity, his indefatigable sense of humor and his great enthusiasm in sharing his love of comics, illustration, movies and music.
"Al Williamson took inspiration from a legion of cartoonists, illustrators and motion pictures from the first half of the twentieth century and created works of timeless appeal—and then he passed that inspiration on to new generations of comics creators.
"The family requests that, in lieu of flowers, a donation in Al's memory be made to either:
"The Joe Kubert School37 Myrtle AvenueDover, NJ 07801Attn: Al Williamson Scholarship Fund
"or
"Yesteryears Day Program2801 Wayne StreetEndwell, NY 13760"
I wish you all the best on a sad day...
"Al Williamson, who for over fifty years drew for both comic books and comic strips, died June 12, 2010, at age 79. In recent years he suffered from Alzheimer's disease. He is survived by his wife of thirty-two years, Cori, his daughter Valerie and his son Victor.
"Williamson was born in New York City in 1931, but spent his first thirteen years primarily in Bogotį, Colombia. In 1941, his mother took him to see the science fantasy movie serial Flash Gordon Conquers the Universe, an experience which, combined with his love for comics storytelling, set his career course at an early age.
"Williamson, who first and foremost considered himself a cartoonist, excelled at illustrative science fiction, adventure and western stories, pulling inspiration from both classic comic strips and motion pictures. He is highly regarded both popularly and critically for his excellent draftsmanship and dynamic storytelling. Most notably, Williamson was extraordinarily accomplished at rendering the human figure in motion. His classically proportioned characters twist and leap with a startlingly vivid illusion of movement in part evolved from his study of motion picture action choreography.
"Williamson began his professional career in 1948 and achieved popular recognition in the early 1950s as the youngest and one of the most talented contributors to the legendary EC line of comics. Beyond EC, Williamson drew superior work for many comic publishers, including American Comics Group, Atlas/Marvel, Charlton, Classics Illustrated, Dark Horse, Dell, Harvey, King, Prize, Toby and Warren. From 1967 until 1980 he produced the art for the King Features Syndicate's daily Secret Agent Corrigan newspaper strip, and from 1981 to 1984 drew the daily and Sunday Star Wars newspaper strip.
"Beginning in the 1980s Williamson reintroduced himself to a new generation of comics readers as an inker for DC and then Marvel Comics, enjoying memorable stints finishing the work of other artists on Superman, Daredevil and Spidergirl.
"The single comics character, however, with whom Williamson is most identified would be Flash Gordon. The science fiction adventurer, created in 1932 by Alex Raymond for King Features, engaged the lifelong imagination of Williamson. He produced a much beloved series of stories for King Comics' Flash Gordon comic book in the 1960s. He returned to the character in 1980, drawing a comics adaptation of the contemporary Flash Gordon motion picture. In the 1990s, he produced a Flash Gordon mini-series for Marvel Comics and later contributing to the original Sunday strip. In addition to the stories, he produced countless other Flash Gordon images for uses in advertising, merchandising and the fan press.
"He gradually retired from the professional ranks in the early years of the new century as one of comics' most admired and influential creators. Over his career he received numerous professional awards, including multiple Harvey and Eisner Awards and the National Cartoonists Society's 1967 Award for Best Comic Book Cartoonist.
"Beyond his remarkable accomplishments as an artist—the works mentioned above represent only a sampling—Williamson deserves recognition as a veteran who often opened professional doors for many others starting their careers. An impressive number of comics contributors owe at least part of their success to Williamson's willingness to recommend and promote new artists and writers to his editorial contacts.
"Williamson was also an avid collector of comics and illustration art, valuing the beauty of original drawings produced for comic books and strips long before the physical art created by commercial artists was popularly appreciated. He will be fondly remembered by those you knew him for his generosity, his indefatigable sense of humor and his great enthusiasm in sharing his love of comics, illustration, movies and music.
"Al Williamson took inspiration from a legion of cartoonists, illustrators and motion pictures from the first half of the twentieth century and created works of timeless appeal—and then he passed that inspiration on to new generations of comics creators.
"The family requests that, in lieu of flowers, a donation in Al's memory be made to either:
"The Joe Kubert School37 Myrtle AvenueDover, NJ 07801Attn: Al Williamson Scholarship Fund
"or
"Yesteryears Day Program2801 Wayne StreetEndwell, NY 13760"
I wish you all the best on a sad day...
Etiquetas:
Desilusiones,
Originales,
Star Wars
martes, 11 de mayo de 2010
martes, 4 de mayo de 2010
Ya no se que creer
Tras casi tres años recibo esto:
"Re: Commission Updates
Hey all! Right to the point, I'm pleased to announce that all commissions will be going out this week along copies of Trans Am Champions with art in them for each of you. I'm checking with Bill to make sure I have all the current addresses. Fons, I will be bringing yours to the Bristol show.
I'm terribly sorry for the wait. Very unprofessional on my part. The amount of comic work I have has just been growing and coupled with basic family stuff , it's just been an avalanche of work and time over the last year or so. That doesn't excuse the delay, but I just want to you to know that I'm not playing video games all week and taking more and more commissions on.
Hope you all enjoy the art and books and hope to see some of you at the cons.
Once again, I'm sorry and I hope you'll still be fans. Thanks.
best,
Phil"
Ahora toca esperar algún tipo de confirmación :P
"Re: Commission Updates
Hey all! Right to the point, I'm pleased to announce that all commissions will be going out this week along copies of Trans Am Champions with art in them for each of you. I'm checking with Bill to make sure I have all the current addresses. Fons, I will be bringing yours to the Bristol show.
I'm terribly sorry for the wait. Very unprofessional on my part. The amount of comic work I have has just been growing and coupled with basic family stuff , it's just been an avalanche of work and time over the last year or so. That doesn't excuse the delay, but I just want to you to know that I'm not playing video games all week and taking more and more commissions on.
Hope you all enjoy the art and books and hope to see some of you at the cons.
Once again, I'm sorry and I hope you'll still be fans. Thanks.
best,
Phil"
Ahora toca esperar algún tipo de confirmación :P
miércoles, 28 de abril de 2010
De viñetas bonitas...
Recientemente Ferran consiguió un par de lotes de páginas dibujadas por el gran dúo Pacheco-Merino y no dudó en ofertarnos un buen número de ellas al foro de coleccionistas, el primer lote consistió en un set de páginas de Arrowsmith al cual llegué tarde (normal dada la calidad de las páginas) y entre el segundo lote (mitad JLA-JSA mitad Green Lantern) se encontraba la página que mas abajo os muestro. Mi historia con esta página viene de lejos “modo abuelo cebolleta on” El primer sketch que conseguí de Carlos fue en el Saló de 2003 dentro del tomo de Norma “JLA/JSA Pecados y Virtudes” (un cuco Green Arrow) y ya la pésima traducción apuntaba maneras desde el titulo.
Entretenida historia y espectacular dibujo de Pacheco y Merino en una de sus primeras colaboraciones para el mercado americano. De todas las páginas, de todas las viñetas, me llamaba especialmente la atención uno de los mejores primeros planos que he visto dibujados por Carlos (bueno, para mi gusto quizás el mejor), motivo por el cual, cuando tuve la oportunidad de pedirle otro sketch en el expocómic de 2008 me decidí por una Star-Girl portando una gran sonrisa metálica, pensando que de esa página con esa viñeta que tanto me gustaba no tendría nunca noticias. “modo abuelo cebolleta off”
Pero he aquí que el destino ha querido que esa página se pusiera a tiro y tras pagarle a Ferran lo estipulado (si, ya se que en los sueños estas cosas te las regalan, pero yo me conformo con pagar un precio realista, tal y como así ha sido) puedo disfrutar de esta paginilla sabiendo que, cuando uno dice “jo, como me mola este dibujo” a veces consigues llevártelo a casa :)
Entretenida historia y espectacular dibujo de Pacheco y Merino en una de sus primeras colaboraciones para el mercado americano. De todas las páginas, de todas las viñetas, me llamaba especialmente la atención uno de los mejores primeros planos que he visto dibujados por Carlos (bueno, para mi gusto quizás el mejor), motivo por el cual, cuando tuve la oportunidad de pedirle otro sketch en el expocómic de 2008 me decidí por una Star-Girl portando una gran sonrisa metálica, pensando que de esa página con esa viñeta que tanto me gustaba no tendría nunca noticias. “modo abuelo cebolleta off”
Pero he aquí que el destino ha querido que esa página se pusiera a tiro y tras pagarle a Ferran lo estipulado (si, ya se que en los sueños estas cosas te las regalan, pero yo me conformo con pagar un precio realista, tal y como así ha sido) puedo disfrutar de esta paginilla sabiendo que, cuando uno dice “jo, como me mola este dibujo” a veces consigues llevártelo a casa :)
Etiquetas:
Coleccionismo,
Originales,
Salones,
Sketch
domingo, 11 de abril de 2010
jueves, 8 de abril de 2010
Un Cockrum en mi salón
Tiempo llevaba sin postear (por muy variados motivos, pero principalmente porque no creo aportar mucho sobre nada), pero la efeméride lo merece. Uno siempre recuerda determinadas etapas creativas en esto de los comics con especial nostalgia, esos tebeos que realmente consiguieron engancharnos a este medio y no soltarlo mucho tiempo atrás, esos tebeos que alguno tenemos manchados de chocolate y cuyas historias tenemos ligeramente idealizadas, bueno, los que me leéis sabéis de lo que hablo, si no, no estaríais aquí :)
Bueno, ha costado lo suyo, pero por fin puedo quitarme una de las muchas espinitas que todavía tengo clavadas a costa de esta afición.
Con todos ustedes la página nº 26 de Uncanny X-Men 158, obra de Dave Cockrum y Bob Wiacek:
A que es bonica :)
Bueno, ha costado lo suyo, pero por fin puedo quitarme una de las muchas espinitas que todavía tengo clavadas a costa de esta afición.
Con todos ustedes la página nº 26 de Uncanny X-Men 158, obra de Dave Cockrum y Bob Wiacek:
A que es bonica :)
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